Customized Production of Visual Art
I offer customized productions of visual effects, macro fluid art, and anything experimental which has to do with colors and motion. Clients get access to all my visualization methods and a library of demos and styles to start from. I use an extensive arsenal of colors, fluids, pigments, and powders for R&D, artistic research, and production. Meanwhile, I create a substantial part of paints myself. Most of my images arise on paper, but I also work with petri dishes, fish tanks, wooden plates, and much more.
Shooting in Raw at 16-bit is a must to capture the maximum detail and dynamic range, especially for HDR video. These specs offer plenty of options for post-processing, plus the freedom to finish in whatever resolution needed. My macro lens collection covers different focal lengths and reproduction scales. I use everything from 12 mm wide-angle macro to 180 mm close-up in reproduction scales up to 5:1 microscopic magnification.
A lot of my clips are recorded as a static top shot; however, I also motion control systems and dynamic elements to give my shots impact and depth. Fluid Art on the macro scale is an interdisciplinary task, asking for technical precision and creativity. Every image is unique and can’t be reproduced the exact same way twice.
Processing 8K in post-production is demanding, but this is the place where the images really come to life. To handle heavy color grading tasks and video retouching in 8K natively, I use a workstation from HP, dual RTX A6000 Graphics, and several raid systems for storage and file management.
Feel free to touch base with me and discuss your requirements. I’m happy to guide you through my workflow, from R&D to production and post-processing. Let’s create the images of tomorrow. Images that trigger metaphors and carry the deeper structure of visual storytelling. Images with outstanding vibrancy, huge dynamic range, and 3D-pop from the richest color palette you can imagine.
